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Sustainabilty at Laika Animation

2011 October 20
by Shared by Steve Rust

Last weekend I attended the media arts conference put on by Lane Community College in Eugene, OR. LCC has a very competitive media arts production program. I attended a Q&A with Mark Shapiro, the business face of Laika animation studios in Portland (best known for Coraline), and queried him about their efforts at sustainable production. Mark replied that in Southeast Portland recycling is the norm and this culture of awareness has made its way into their office. They bike to work, recycle what they can, and turn off the lights around the office.  He explained, however, that the company does not have a process for assessing its overall environmental/energy footprint  and that that it takes a lot of energy to run their computer systems and is not entirely sure what goes into the resins and other material components of the new 3D printers they are using for all their stop motion characters. Most electricity in Portland comes from hydropower, which greatly reduces fossil fuel burning but has a detrimental impact on salmon runs.  (FYI – The Dalles Dam, which was built in the 1950s to supply Portland’s growing suburbs, was built on the site of Celilo Falls, a traditional fishing and trade site for local indigenous communities.)  Mark gave me hope  though that people within the media industries are become more aware of the need to adopt sustainable production practices. Mark appreciated the question and I left feeling impressed that people in the media industires are interested and paying attention to environmental practices. FYI: Laika has a new film, ParaNorman, scheduled for release in 2012.

Here is Laika’s section on sustainability in their company mission statement.

Our sustainability program, Gang Green, promotes ecology within the company and around our neighborhoods. We support local sustainable businesses and give back to organizations that promote conservation. 

Many of us take part in our annual Green Exchange contest, where employees earn points for bringing in recyclables, including bike tire tubes, wine corks and tennis shoes. Items are collected and donated to area organizations, including Junk to Funk.  We even accept recyclables that city haulers won’t take.

In 2011 we began receiving rigid plastics and bags and also rolled out a composting program where we collect food waste, coffee grounds, tea bags, compost-friendly cutlery and cups and paper towels, reducing our overall waste to the landfill.  Finally, Alternative Transportation Incentives are offered to employees who regularly carpool, walk, bike, vanpool or use mass transit.  Currently, we have nine vanpools in the Portland metropolitan area that keep over 80 cars off the road every day.

Visualizing Science and Environment Symposium

2011 October 7
by smonani

Registration is now open for the ‘Visualising Science and Environment Symposium’ organised by the Science and Environment Communication Section, ECREA, in association with Media Research Group, Faculty of Arts, University of Brighton, UK.

Venue: Faculty of Arts, University of Brighton, 17-18 November 2011

Registration and details at: http://arts.brighton.ac.uk/study/media-studies/news/visualising-science-and-environment-symposium

Fee: Waged £60, unwaged/student £30

Further information from Julie Doyle: j.doyle@brighton.ac.uk

Symposium organisers: Julie Doyle, Anabela Carvalho and Louise Phillips,  Science and Environment Communication Section, ECREA

 

A Prescription for EcoCinema?

2011 September 21
by Shared by Steve Rust

The Environmental Media Association has prepared an extensive list of ways for filmmakers to incorporate green aesthetics into their productions. Should we as scholars endorse such a list, critique it, point out how it bolsters capitalist hegemony? Lots to mull over.

 

EMA Green Guidelines: Greening Plotlines & Characters Energize Environmentalism with “Eco Inside”!

Got green? By blending environmental messaging into your characters’ lives, you can help lift awareness and incite action. Characters’ behaviors and actions, however subtle, can have a positive effect on audiences. From large plot points – the happy couple that opt for a ‘green’ wedding – to the simplicity of including a recycling bin in the family kitchen or a character driving a hybrid, the integration of ‘eco inside’ is subliminal messaging at its most heartfelt.

How to put ‘eco inside’ your plot:

When it comes to green messaging, EMA knows what resonates. Listed below are suggestions for Character Actions at home, at the office and in school with a corresponding Prop Master Green Shopping List to help streamline the process.

CHARACTER ACTIONS
At HOME, characters can:

  1. Put items into recycling bins – newspaper, cans, plastics, glass, junk mail
  2. Come back from grocery shopping carrying a canvas bag
  3. Drive hybrids or alternative fuel vehicles
  4. Turn off lights when leaving the room
  5. Walk or ride a bike for errands, to school or parties; or carpool
  6. Donate old household items to charities, shelters, schools etc.
  7. Buy food in bulk; put food into reusable storage containers
  8. Buy organic food and other products from farmers markets or health food stores.
  9. Have organic labeled products on the kitchen counter, on shelves, in the refrigerator.
  10. Turn off the water when brushing teeth or scrubbing pots and pans
  11. Volunteer for environmental and social causes
  12. Put Kids’ lunches in reusable containers and reusable lunch bags
  13. Wear t-shirts with green slogans
  14. Hang posters with eco messages
  15. Use bamboo (a sustainable alternative to wood) bowls and cutting boards in kitchen, on the table and as decor
  16. Use permanent coffee filters, not disposable ones
  17. Own appliances with energy star labeling
  18. Show off the following eco labels when applicable: USDA organic, Rainforest Alliance Certified, Fair Trade Certified, Certified Human and Green Seal
  19. Use solar energy: smaller examples of solar-powered technology can include yard or patio lighting (it doesn’t have to be solar panels for the whole house or nothing)
  20. Have laundry drying on a clothesline for scenes in backyard

Prop Master Shopping List for Home:

  • A blue or green recycling bin:  to be placed in the kitchen/garage; the bin should have the recycle symbol clearly visible, with such words as cans, glass, plastic, newspaper, or junk mail
  • Earth friendly dishwashing soap: on the sink
  • Earth friendly laundry soap: by the laundry basket
  • Canvas shopping bags: hanging from a hook in the kitchen or pantry
  • Bulk reusable food containers:  placed on countertops; perhaps labeled “organic”
  • Reusable containers: low kids’ lunches stored and carried in them
  • Drying “rack”: located on the counter for plastic baggies
  • Alternative fuel vehicles: employ electric or hybrid cars, or at minimum, those with high mileage efficiency
  • Bikes hanging or parked in plain view: located in garage or driveway
  • Push mower and hand-powered tools: located in garage vs. gas powered or electric
  • Donation bins:  located in garage, living room, bedroom for old household items to charities, shelters, schools etc.
  • Signs: reminding kids (& parents) to turn off lights, TV, games, and to not waste water when brushing teeth, showering, washing dishes etc.
  • T-shirts with green messages: support eco endeavors  
  • Posters from eco messages: hang in kids’ bedroom
  • Plants throughout the house: as décor and to reiterate air purification
  • Energy Star labeled appliances: use when possible with Energy Star logo facing camera
  • Permanent coffee filters: never use disposable filters if character makes coffee
  • Bamboo bowls and cutting boards: use bamboo as an alternative to any wood item
  • Eco Labels: place the following eco labels on product when applicable: USDA organic, Rainforest Alliance Certified, Fair Trade Certified, Certified Human and Green Seal
  • Native flowers and shrubs: use those that are indigenous to the show’s fictional location
  • Clothesline: for backyard scenes

AT THE OFFICE
At the OFFICE, characters can:

  1. Utilize recycling bins for white paper, mixed paper/junk mail, magazines, newspapers, bottles and cans
  2. Eat with and drink from reusable kitchenware and mugs (no disposable paper, plastic, or styrofoam)
  3. Carpool to work in a vehicle that gets high gas mileage or alternative fuel vehicle, or use public transportation
  4. Work in offices surrounded by plants and natural lighting from windows
  5. Turn off lights, computers and equipment when not in use.
  6. Petition the office to upgrade to energy efficient equipment with EPA’s Energy Star label
  7. Donate old computer software to schools, children’s organizations, nonprofits
  8. Bring lunch packed in reusable containers
  9. Use laptops, not desktops

Prop Master Shopping List for Office:

  • A blue or green recycling bin:  to be placed in the kitchen/garage; the bin should have the recycle symbol clearly visible, with such words as cans, glass, plastic, newspaper, or junk mail
  • Reusable kitchenware and mugs: do not show disposable paper, plastic, or styrofoam in the break-room
  • Reusable containers: for lunches brought to work
  • Alternative fuel vehicles: employ electric or hybrid cars for characters’ carpooling or have them use public transportation
  • Plants/Natural Lighting: have sets include offices surrounded by plants and natural lighting from windows
  • Signs: to remind office workers to turn off lights, computers and office equipment when not in use; include energy conservation notifications if possible
  • Donation bins:  for old computer software to schools, nonprofits, children’s/women’s organizations
  • Hand crank paper shredders:  have on desks, in mailroom
  • Framed posters:  include slogans that reflect the commitment of the corporation/business (e.g. giving back to the community, supporting certain causes, supporting children’s organizations, etc.)
  • Laptops: laptops use significantly less energy than desktops.

AT SCHOOL
At SCHOOL, characters can:

  • Avoid using paper, plastic and styrofoam in cafeterias and use glasses, plates and silverware instead.
  • Utilize recycling bins for white paper, mixed paper/junk mail, magazines, newspapers, bottles and cans
  • Throw litter away in garbage cans
  • Eat healthy snacks instead of using vending machines
  • Take public transportation
  • Be surrounded by posters, signs and bumper stickers that promote environmental organization messaging on classroom/hallway walls, backpacks, bikes, cars
  • At sporting events, drink from a reusable water container, not a disposable plastic bottle

Prop Master Shopping List for Schools:

  • Glasses, plates and silverware: avoid paper, plastic, styrofoam in cafeterias
  • A blue or green recycling bin:  to be placed in the cafeteria and quads/courtyards; the bin should have the recycle symbol clearly visible, with such words as cans, glass, plastic, newspaper, or junk mail
  • Juice bar and bakery: versus snack/candy shop/vending machines on campus
  • Public bus stops/shuttles: on or near campus
  • Organic, fair trade signage: in coffee shop, include obvious signage noting “organic coffee sold here” and/or “fair trade”
  • Posters, bumper stickers: environmental organization messaging on classroom/hallway walls, backpacks, bikes, cars
  • Garbage cans: indoor/outdoor, recyclable and regular
  • Reusable water bottles: at sporting events, use Sigg or another brand as a fashionable substitute for plastic bottles

Smog Regulations Put on Hold

2011 September 7
by Shared by Steve Rust

The Obama Administration’s recent decision to withdraw proposed regulations aimed at tightening the nation’s air pollution standards has drawn sharp criticism from environmentalists. Particularly frustrating, is the administration’s claim that such regulations would have a negative effect on job creation and economic growth. We would welcome comments listing and/or describing media texts that visualize air pollution. Where do we go looking for smog? As inspiration, check out this segment from a 1978 news broadcast from KHJ News Los Angeles. After a discussion of national politics, including plans to implement President Carter’s energy initiative, the broadcast focuses on efforts to clean up the air in LA. Feels like we keep moving in circles sometimes but it’s also important to remember the progress that has been made:

 

Interactive film: Bla Bla

2011 August 25
by smonani

The National Film Board of Canada includes this wonderful interactive piece, Bla Bla, which is an experiment in conveying communication modes. To check it out, click on the image below.

Musings on Malick’s The Tree of Life

2011 August 5
by pwilloquet

I admit to having felt befuddled after seeing Terrence Malick’s latest poetic epic, sensing however that the film would haunt me in the following days. As it did. I had to see it again. Which I did.  The Tree of Life is a stunningly beautiful and mesmerizing essay on the web of life that connects us all, to one another, but also to the natural world, to the cosmos, to times immemorial.  It confronts us with the barriers, physical and emotional, we erect to protect ourselves from pain and suffering and which, as a result, also shield us from love and connection. These barriers appear on screen as windows, arches, doorways, glass and steel high rises, and all manner of framing that mediate our experiences of one another and make us long for connection.

To me, the film was also a reminder not to take our pains and loses as some form of personal affront, as if the universe, god, fate, karma (whatever you want to call this great mystery that propels existence) was “out to get us,” had single us out to dispense its furry.

Malick’s film is thought provoking, to say the least. It is also a feast for the eyes. Those I have spoken to about it either embraced the journey Malick created and enjoyed the beauty and the pain wherein, or found the film pedantic, pretentious, and tedious. I land somewhere in between. I enjoyed the two narrative lines—the parade of beautiful microscopic and macroscopic images of nature on the one hand, and the family’s personal narrative on the other. I am partial to experimentation in film and to avant-garde cinema, so I really expected to love this film for its daring to  integrate different cinematic styles, and for making us think. I did no love the film as much as I wanted to, perhaps because I approached it cerebrally. Perhaps the poit was NOT to think, but to feel. My friends who just “went with the felling” seemed to come out of the theatre with a sense of having had a powerful and meaningful personal experience.

What has continued to puzzle me, particular from my particular brand of ecocriticism, is what seems to be the film’s premise, or thesis, spoken by one of the characters; that is, that we have two choices in approaching existence, and perhaps pain: the way of grace or the way of nature, and that the way of grace is preferable. Must there be a dichotomy between the two? Am I missing something? Might not we see nature, human and non-human as an expression of grace? Might not we see the web of life as a web and flow of creation, destruction, creation . . . as suggested by the Hindu God Shiva? The images of nature in the film often evoked for me the awesome (in the true sense) power of nature, a power we have tended to want to label as nurturing or destructive, comforting or fear producing, needing to be mastered lest it master us. Based on this and his other films, I don’t think Malick necessarily sees nature as red in tooth and claw, so why does he invite this opposition between grace and nature. Or does he? After all, the lines are spoken by one of the characters. So perhaps Malick intends for us to questions our dichotomies that only serve to fragment, divide, and alienate, rather than connect and unify. After all, the film is called The Tree of Life. And the tree, of which there are plenty in the film, while sitting firmly on the earth, connects that which is above to that which is below.

Any thoughts anyone?

Revenge of the Electric Car

2011 August 5
by pwilloquet

Chris Paine, whose 2006 documentary Who Killed the Electric Car meticulously reported on the demise of the electric car, recently premiered his new film Revenge of the Electric Car at the Tribeca Film Festival in NYC. The Independent describes Paine as an “environmental activist” and “outspoken proponent of electric cars” since he first tried one out in the 90s–he did not even like cars before then! You can read an interview with Paine on The Independent‘s website:

http://www.aivf.org/magazine/2011/07/Chris_Paine_Revenge_of_the_Electric_Car

Trailer for the film: http://www.youtube.com/watch?v=jkRIu5a6Sb0&feature=player_embedded

And, I could not resist including this image 🙂

“That horse is worth what?!”

2011 July 26
by Shared by Steve Rust

As a longtime fan of Antiques Roadshow (old before my time I guess), I’ve become amused by all of the recent television shows trying to get in on the auction action. When was the last time PBS was this hip? With some interest then I tuned in last night to an episode of NBC’s entry into the cycle: It’s Worth What? (starring Cedric the Entertainer).  The series, according to the Hollywood Reporter, “marks the latest in the buried treasure shows craze; Fox recently green-litBuried Treasure; Spike TV has Auction Hunters; Discovery runs Auction Kings, [A& E has Storage Wars], and TLC airs What the Sell?!.”

I found myself taken aback when last night’s contestant on It’s Worth What? was asked to decide which of the following items was worth the most money: a Harley-Davidson motorcycle, an original poster for the movie E.T., a seventeenth-century French tapestry, or Trigger and Bullet (former companions of Roy Rogers).  As it turns out, Trigger and Bullet (each preserved by taxidermy) won hands down – they are worth $301,500. Why not showcase the body of a human, I wondered. Perhaps you’re anthropomorphizing a horse and a dog, my companion replied? Hmm….

Although it is not mentioned on the show, the figure of $301,500 the amount that Trigger and Bullet were purchased for in 2010, when Roy’s estate was auctioned off at Christies of New York. The pair were purchased by RFD-TV (a subsidiary of Rural Media Group, Inc.), which describes itself as “home to the most comprehensive lineup of agriculture-based programs ever assembled on one channel.”  In addition to appearing on It’s Worth What?, Trigger and Bullet are currently touring the United States as the featured attraction on RDF-TV’s Happy Trails Tour.